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Archive for the ‘Book Reviews’ Category

Twitterで英語をつぶやいてみる (by Mayumi Ishihara)

Thursday, May 13th, 2010

One of the aspects of the publishing industry that I find most appealing is the fact that there is very little rivalry between authors. Being a published author in itself is a little like being presented with honorary membership to an exclusive club, and there is nothing I like better than the cozy sense of unity that interacting with other authors provides me. I consider myself extremely fortunate to be acquainted with a large number of writers—including novelists, non-fiction writers, columnists, journalists, short-story writers and poets—and I can state with all honesty that I have never (yet) met a writer I didn’t like.

One of the most charming authors I have the pleasure of being acquainted with is Mayumi Ishihara. Ms. Ishihara is an extremely talented author with a string of best-selling books to her name (I found 39 listed on amazon.co.jp,) and her contribution to English learning in Japan is great. I first met Ms. Ishihara on Twitter, and I was immediately impressed by the friendly way in which she responds to all of her followers and fans. I also discovered through our acquaintance that we have a couple of things in common in addition to the obvious points of us both living in Japan and both publishing books of a similar genre. The first of these is that we both have regular columns in the Asahi Weekly newspaper. Ms. Ishihara’s column is called [Dear Diary] (Japanese title: 今日から始める英文日記,) and it provides both advice and encouragement to Japanese people for practicing the English they have learned via the medium of keeping a diary. And, the second is…

We both published books on using Twitter as a tool for practicing English within a couple of weeks of each other.

Ms. Ishihara’s book is entitled [Twitterで英語をつぶやいてみる] (Unofficial translation: Tweeting in English on Twitter.) Whereas my (and my co-author’s) book is little more than a large number of sample sentences that readers can use for reference purposes, [Twitterで英語をつぶやいてみる] examines the subject to a much greater depth and is the perfect book for anyone thinking of starting up a Twitter account no matter what their level of English may be. The book starts with detailed and easy-to-understand explanations on how to sign up to Twitter and how to operate the various functions available, and then moves onto extremely valuable advice on how to write concise, informative and even humorous tweets. It also contains a large number of sample tweets covering everything from normal greetings through to explaining Japanese customs. In other words, it contains everything that a non-native speaker wishing to tweet in English on Twitter could possibly need.

Ms. Ishihara is also the founder of the hashtag #Twinglish and introduces it in the book. This hashtag—an incorporation of Tweet and English—is designed to bring Japanese English tweeters together so that they can interact and help each other on Twitter, and from the large number of #Twinglish tweets that enter my timeline, the concept is obviously extremely popular and currently in the process of catching on even further.

All in all, [Twitterで英語をつぶやいてみる] is probably the best book on the market for people wishing to get the most out of their Twitter experience, and I can thoroughly recommend it.

Oh, and one last thing. The book has the added attraction of containing a large number of photographs of Ms. Ishihara herself. (P.S. I like the one on the back cover the best; I’m a sucker for ladies wearing glasses.)

 

Follow Mayumi Ishihara on Twitter: @mayumi_ishihara

 Twitterで英語をつぶやいてみる

Mayumi Ishihara (石原真弓)

ISBN: 978-4-14-088320-4

Motor City Murder (by Megan Clare Johnson)

Tuesday, January 19th, 2010

Motor City Murder is Megan Clare Johnson’s debut novel, and it represents the first book in a series starring feisty detective Deanna Dopp (the second in the series, Nashville City Murder, is due out in 2010.) It is the gritty tale of an ex-detective rejoining up with her old partner to solve a double-murder in the mid-summer heat of Detroit; one committed thirty-five years ago, the other more recently. It is a fast-paced book and covers a lot of ground within 244 pages, yet one is left with a very clear image of exactly what happened and why it happened at the climax without having to think back to over the story to justify motives and mentally tie up ambiguities, which I found rather refreshing.

Motor City Murder starts with the hit-and-run murder of Wanda Doppkowski, a club singer and perpetual drunk who just happens to be the mother of Deanna Dopp, an ex-detective who, for reasons that she could never quite understand, had been fired from the Detroit Police Department for a misdemeanor and drifted off to Portland, Oregon, to try and put her life back together. She is informed of her mother’s death by Gabe Flynn, her ex-partner, and immediately returns to Detroit to seek out the culprit. From the moment she arrives in the Motor City, Deanna, assisted by Gabe and a long-lost sister she hadn’t known existed, is thrust into a generation-old mystery that takes her from the ghettoes to the highest office in the city via the morgue, and the facts she unearths provide answers to many of the questions that have tormented her throughout her life, including the reason why she was fired. The climax runs at breathtaking speed and culminates in leaving the reader elated at the outcome yet saddened at the loss of a certain character, and the overall effect is to leave a pleasant aftertaste that generally comes from having read a good book.

There is very little waste in Motor City Murder. Every sentence pushes the story forward one more step, and there are no side-scenes or sub-plots to draw the attention of the reader away from the main story. Ms. Clare Johnson has also done an excellent job of depicting the hot, sweaty, racially-charged atmosphere of summer in Detroit. The pages literally drip with dark intent and hidden (sometimes not so hidden) violence, and the pace of the story is such that the reader is sure to be kept at a high state of tension as the book runs inexorably through to the climax.

One slight drawback to the book may be found in the slightly stereotypical, almost Hollywoodesque, makeup of the characters—the incredibly tough female detective, the partner harboring a drinking problem, the corrupt cops, the manipulated-from-above police chief, the crooked mayor, the retired don who still wields the power, the kindly but streetwise midwife, etc., etc., etc. Personally, however, I found that the more I read, the less this bothered me, and after a while the book began to generate a cozy sensation reminiscent of putting on a favorite pair of old pajamas that had been warming in front of an open fire on a cold winter’s night; a tangible sense of warm, comfortable familiarity. This was probably due to the fact that the book is plot-driven, not character-driven, and the storyline is strong enough to support these stereotypes without grating on the sensibilities of reader too much. I therefore have no qualms in recommending it.

 

Visit Megan Clare Johnson’s website at http://www.meganclarejohnson.com/

 

Motor City Murder

Megan Clare Johnson

ISBN: 978-1-60145-910-7

Beneath Gray Skies (by Hugh Ashton)

Wednesday, December 16th, 2009

When my elder son was in high school, his project for the summer vacation was to write a summary of European history from the 1930s to 1950s under the assumption that Adolf Hitler had never been born. This rather impressed me, as I thought it to be an excellent way of determining if the students had absorbed the details they had been taught. After all, it would be an impossible task without a working knowledge of political activities and the big players who were prominent on the scene around that time. In Beneath Gray Skies, Hugh Ashton, a Japan-based writer and journalist, has proved—through the medium of an extremely satisfying book—that he paid attention in class by not only rewriting the history of Europe, but also that of the USA, albeit with Adolf Hitler alive and kicking.

The overriding premise of Beneath Gray Skies is that the American Civil War didn’t take place and that the United States of America as we know it today is two separate nations; with the USA occupying the northern part of the land mass it currently occupies in actuality and the Confederate States of America (CSA) occupying the southern part. The time is 1923 and Germany lay in tatters after defeat in the Great European War. Taking advantage of this disarray, the Nazis, led by Adolf Hitler, are beginning to flex their muscles, but lack the resources to impress their presence on the rest of Europe. Meanwhile, the Confederate States of America is a poverty-stricken yet resource-rich nation shunned by the rest of the world owing to its refusal to abolish slavery, and the only way to provide universal employment is through conscription into the armed forces at the early age of sixteen, which places a huge burden on national coffers. To put that more plainly, Nazi Germany possesses the technology and international clout that the CSA covets, and the CSA possesses the natural resources and manpower that Germany needs to build the country into a force to be reckoned with: perfect bedfellows, in other words.

Beneath Gray Skies examines the way in which war-impoverished Germany courts the racist government of the Confederate States of America with the promise of a gift of immeasurable value. To celebrate this alliance, the gift is to be delivered to the CSA by Hitler himself aboard an enormous Zeppelin-like airship. The governments of Great Britain and the United States of America are naturally against this alliance, but as it does not violate any international treaties, the job of thwarting the plan is left up to a handful of people who are both wittingly and unwittingly drawn into the action.

Beneath Gray Skies is an extraordinarily well-written piece of what-if mind candy that becomes more and more difficult to put down the further one reads. It has a rather unorthodox layout in that it is impossible to pinpoint a single protagonist—with several main characters taking the leading part alternately at different stages of the book—but I hasten to add that this in no way detracts from its charm. The style of writing is satisfyingly fluid and sometimes even whimsical, which is sure to delight those who enjoy a large dash of literary skill mixed in with their conspiracies, and I would certainly rank it among the better books that I have read this year.

Full marks to Mr. Ashton for writing an enthralling tale of, as the front cover of the book tells us, ‘a past that never happened.’ I enjoyed it immensely and look forward to his next work of fiction.

 

Beneath Gray Skies

Hugh Ashton

ISBN: 978-0-557-06053-5

The Reader (by Bernhard Schlink)

Friday, December 11th, 2009

The Reader was originally published in Switzerland in 1995 and translated from German into English by Carol Brown Janeway for publication in the United States in 1997. The book examines the guilt that Germany felt in the aftermath of World War II, and it depicts the heart-rending way in which young Germans tried to come to terms with the atrocities their parents, grandparents and other people close to them committed during the period of hostilities. The protagonist is Michael Berg, and the book shows the trouble he has determining whether he should love the people close to him or hate them for the role they played in allowing the Nazis to take control of his beloved country. It is a short book that is comparatively easy to read, yet the underlying theme based on the philosophy of guilt is somewhat difficult to pick up unless close attention is paid to the overall story, which I thought was a nice touch.

The Reader is divided into three parts that show the main character, Michael Berg, at various stages of his life. In Part One, Michael is a fifteen year-old boy who falls ill on his way home from school one day. He is assisted by the beautiful Hanna Schmitz, with whom he embarks on a torrid love affair, despite the fact that she is more than twenty years his senior. This section ends with Hanna disappearing from his life, and Part Two starts with Michael as a law student attending the post-war trials of suspected Nazis. To his surprise, Hanna is one of the accused, but he senses that she is, out of a feeling of shame, refusing to reveal a certain piece of evidence that would exonerate her from all guilt. Part Three shows Michael as a qualified lawyer trying to deal with the events that have occurred in his life. He marries and becomes a father, but the influence that Hanna has had on his life affects nearly all of his decisions, and things don’t quite go the way he would wish.

The Reader is a little like a flower from both the writing style and the storyline perspective, in that it starts off like a tight bud with simple English and a relatively simple plot, but blossoms into more complex sentence structures and a deeper plot as the story progresses. Personally I felt that Part One was drawn out too long, and I would have preferred more balance in the writing style. Overall I found it to be a thought-provoking read, but, if asked if I enjoyed it, I would have to say ‘not very much.’ The characters were well depicted and the general philosophy behind the plot was interesting, but I found Part One to be tediously long and Parts Two and Three to be hurried, as if the author had already shot his bolt and couldn’t wait to finish writing the book.

 

The Reader

Bernhard Schlink (English translation by Carol Brown Janeway)

ISBN: 978-0-307-47346-2

Twilight (by Stephenie Meyer)

Friday, December 4th, 2009

Twilight is the first book in a series of chic-lit romance stories that have been enormously popular in the United States and many other countries. Concerning vampires, it can also be loosely categorized under the horror genre of literature, although there are very few scenes in it that one would recognize as actually being horrifying. The writing style is relatively simple and easy-to-read, but it is written in the first person by the protagonist—Isabella Swan, a high-school junior—and is therefore slightly emotive and slightly slang-ridden. Although it is difficult to define an exact comparison, this book reminded me a little of Catcher in the Rye (J.D. Salinger,) in that it is written from the perspective of a teenager who is in the process of coming to terms with her transition from childhood to adulthood. The storyline is very easy to understand and there are no significant twists to complicate matters, and from that point of view I was left with the impression that it lacked something.

The parents of the protagonist, Isabella Swan (affectionately known as Bella,) are divorced, and Bella leaves her mother in Phoenix to go and live with her father in Forks; a small town that boasts the highest level of rainfall in the entire United States of America. She manages to settle down well at her new high school and makes several friends, but she is intrigued by a family of pale-skinned students who rarely mingle with the other students. A member of this family, Edward Cullen, shares some of Bella’s classes, but they don’t strike up a friendship until Edward saves Bella from a serious accident. From this moment on Bella becomes obsessed with the pale young Edward, and the two start up a relationship that switches between romance and fear, for Edward is not quite what he seems.

Although chick-lit and romance are not my usual preference in reading, I could easily recognize the fact that the book was well written and well balanced, and although I probably won’t read any more of the series, I am sure its popularity is very well deserved.

 

Twilight

Stephenie Meyer

ISBN: 978-1-904233-65-7

My Stroke of Insight (Jill Bolte Taylor, Ph.D)

Tuesday, November 24th, 2009

In 1996, 37-year-old neuroanatomist, Jill Bolte Taylor, suffered a massive stroke, and within a period of four short hours lost her ability to walk, talk, read, remember details, or make calculations. My Stroke of Insight is her remarkable story, starting with the fine details of every sensation she experienced during the breakdown of her brain, through the eight years it eventually took her to make a full recovery. Although dealing with a medical subject, Taylor has made an effort to make the book legible to the average layman, and with the exception of two chapters that provide technical background and pointers on terminology (Chapter #2 and #3,) it is mostly written in very easy-to-understand English.

In My Stroke of Insight, Taylor has managed to shine a different and very illuminating light on the horror of having one’s brain disabled. At one point she actually says that it was the best thing that ever happened to her; affording her, as it did, the chance of really understanding the way in which her mind worked and providing her with better control over the emotions that she would rather suppress.

The most interesting and illuminating part of the book from my point of view is the fact that Dr. Taylor was able to discriminate between the left and right hemispheres of her brain with total clarity during the course of her stroke, and admits to having found “nirvana,” as she calls it, in her right brain. Another point that I found fascinating was also while she was occupying her right hemisphere. She states that she was fully aware of the molecules that surrounded her, but without her left brain was unable to determine where her body ended and when the space around her began. In other words, she could not calculate the boundaries of her own body and therefore felt as if she was an integral part of the entire universe.

My Stroke of Insight is a fascinating book written by a professional who really understands the workings of the brain, and it is sure to prove an invaluable reference book for anybody who has had a stroke or who knows of somebody who has. It is an extremely enlightening book, and I can think of no book I’d rather have as a bedside companion if anybody close to me ever has the misfortune to suffer a debilitating stroke.

 

My Stroke of Insight

Jill Bolte Taylor, Ph.D.

ISBN: 978-0-340-98050-7

The Pelican Brief (by John Grisham)

Wednesday, November 18th, 2009

The Pelican Brief is Grisham at his unmistakable best. The plotline itself is large, reaching as high as the Presidency of the United States, and it includes all of the ingredients that we have come to expect from Grisham—good lawyers, bad lawyers, assassins, people willing to risk everything for justice—all tied up together in a delightfully intricate plot. Writing a book of this scale is not an easy task, and the difference between success and failure depends on when and how each item of information pertinent to the climax is revealed. Too much information confuses the reader, and too little leads to boredom. Grisham releases his information with surgical precision; like a doctor prescribing medicine at the appropriate time and in the correct doses.

The story begins with the assassination of two Supreme Court Justices who have nothing in common but their history of environmentalism. While the country buzzes over the motive of their murder, a law school student, Darby Shaw, decides to research the backgrounds of these two judges and comes up with a plausible theory that reaches high into government circles. The only people to have seen the brief that Darby has written up detailing her research, which becomes known as the Pelican Brief, are mysteriously assassinated, and she realizes that she could be the next target. While on the run she joins forces with a newspaper reporter who vows to help her sort the problem out.

There are many writers out there who publish novels of a similar style and content, yet it is John Grisham who invariably hits the bestseller lists. Wondering why this is so, I took a deeper look at The Pelican Brief to see if Grisham adds an additional ingredient that makes his books more appealing, and what I discovered came as a great surprise: John Grisham is a poet!

In the same way as the Japanese language has a pleasant ring to it when haiku-style sentences consisting of 5-7-5 syllables are used, sentences consisting of fixed syllable counts in English also slip gently into the mind and rest there comfortably. Many of Grisham’s sentences consist of multiples of these specific syllable counts, and although it is impossible to say whether he is making a concerted effort to achieve this or whether he simply has a naturally rhythmical mind, the overall effect is extremely soothing. These syllable counts tend to concentrate on multiples of three and four. General rhyming prose, for instance, consists of 8-6-8-6 syllables, and limericks consist of 9-8-8-6, but most rhyming poetry has some sort of relationship with the same multiples.

However, using the same sentence length and rhythm consecutively becomes boring after a while, and Grisham is careful to use sentences of varying length at all times. This means that short, to-the-point sentences are used as regularly as long, convoluted sentences, and this makes each paragraph flow smoothly and comfortably. Many of the short sentences also consist of only five syllables, which breaks up the monotony of rhyme. For example, the third paragraph on the first page of the book contains seven sentences with a respective word count of 8-4-9-25-3-3-9, as follows:

“Biggest crowd ever!” Rosenberg yelled at the window. He was almost deaf. Jason Kline, his senior law clerk, stood behind him. It was the first Monday in October, the opening day of the new term, and this had become a traditional celebration of the First Amendment. A glorious celebration. Rosenberg was thrilled. To him, freedom of speech meant freedom to riot.

If we count the syllables in these sentences, however, two of the three sentences with four or less words contain five syllables, and the others consist of 12-12-39-8-12 respectively; all of which are multiples of three or four syllables. Poetry! Of course, this doesn’t happen all the time, but there is definitely a rhythm behind the writing style, and the short sentences that intersperse the longer sentences drill home the message that Grisham wishes to get across.

I haven’t carried this research any further to discover if similar rhythmic styles occur in other bestselling books, but it certainly provides food for thought; especially for a writer.

 

The Pelican Brief

By John Grisham

ISBN: 0-440-21404-1

The Lost Symbol (by Dan Brown)

Saturday, November 14th, 2009

Dan Brown has taken a beating over The Lost Symbol, and although, admittedly, it does fail to match up to The Da Vinci Code, I still found it a riveting read and have no qualms about recommending it. The reviews that I have read about it in newspapers and online blogs, etc., seem unanimous in their opinion that Mr. Brown lacks literary talent, but personally I see this as nothing more than nit-picking. There are two types of books that I enjoy reading; the ones that thrill me with the beauty of the words, and the ones that thrill me with a darned good story. The Lost Symbol falls into the latter of these categories, as did Deception Point, Angels & Demons, and The Da Vinci Code (the jury’s still out on Digital Fortress.)

In this third outing with symbologist Robert Langdon, the good doctor is invited to give a lecture in the U.S. Capitol Building by his old friend and mentor Peter Solomon, who is the head of the Smithsonian Institution and one of America’s highest-level Freemasons. Within minutes of Langdon’s arrival, however, it becomes clear that he was tricked into coming when a bizarre symbolic object—which Langdon instantly recognizes as an ancient invitation—is discovered in the Capitol Rotunda. When it also becomes clear that his friend Solomon has been kidnapped, Langdon realizes that the only chance he has of rescuing him is to accept the invitation. This launches Langdon into a helter-skelter mystery concerning the secrets, legends and symbols of the Freemasons, and pits him against a formidable and ruthless opponent who is determined to use Langdon as a tool to achieve his own ambitions. Aided by Peter Solomon’s sister and hindered by the involvement of the CIA, the book races towards a climax that will make the reader look at Washington D.C. through different eyes.

True to Dan Brown’s established style, The Lost Symbol is an extremely fast-paced and exciting tale that evolves over the course of just a few hours. Set in Washington DC., as opposed to the more exotic European locations that have featured in the previous two books, The Lost Symbol is packed with fascinating historical, legendary and symbological facts; many of which are true. Although not particularly difficult to read and comprehend, the sheer volume of facts thrown at the reader on nearly every page is so great that keeping a mental image of exactly what is happening is sometimes a little difficult, and the high pace at which the plotline moves leaves the reader a little breathless. But the overall effect of the entire book is extremely satisfying, and I, for one, eagerly look forward to my next meeting with Robert Langdon.

 

The Lost Symbol

By Dan Brown

ISBN: 978-0-385-50422-5

Finding Emmaus (by Pamela S.K. Glasner)

Saturday, November 7th, 2009

The promotional blurb for Finding Emmaus touts it as being a ‘dark fantasy,’ but this, in my opinion, does it a disservice, for it is much, much more. It is an inspiring saga of history, adventure, religion, politics, suspense, mystery and romance, all neatly wrapped up in a compelling conspiracy of which Michael Crichton would have been proud to have conceived. Admittedly, the plotline does touch upon certain aspects that could be considered paranormal in substance, but the overall effect of the book does not leave the reader with an aftertaste of ‘fantasy,’ but rather of having been introduced to a disturbing reality that will generate a slight sense of inadequacy for not having been aware of the problem before.

Finding Emmaus is a story about empaths; people who are naturally gifted—or cursed—with the ability to feel the emotions of others as acutely as if they were experiencing them themselves. Although encased within a single volume, the reader is in fact treated to two separate tales that evolve three and a half centuries apart, but which are intricately woven together with a common thread that is empathy. The plot examines the lives of two people—Francis (Frank) Nettleton and Katherine Spencer—who have both been troubled since birth by the gift/curse of empathy, albeit in different ways. Frank is a product of the seventeenth century, during which any form of eccentricity was diagnosed as madness or devil-worship and dealt with severely. Katherine, on the other hand, is a product of the more enlightened twentieth century, yet the lack of any clinical method to diagnose empathy has resulted in her being treated as a manic depressive and poisoned with expensive drugs that have no hope of providing her with solace or a cure. The tragedy of the empaths induces Frank to do something about it, and in order to complete his life’s work, he reaches across the centuries and recruits Katherine to his cause.

Ms. Glasner is an exceedingly capable writer who has managed to consistently incorporate two distinct styles of writing within the same book; a feat that would be beyond the reach of most authors. Frank’s story is written in the first person, and when this is put together with Katherine’s story, which is written in the third person, the reader is left with the impression that the book has been co-authored by Ms. Glasner and Frank himself. The historical atmosphere of the early settler days of Connecticut rings especially true, and the warmth that the prose exudes speaks volumes about the author’s love of her subject.

One point that I found particularly impressive—and of which I write with envy—is the way in which the book starts. Ms. Glasner has attained the Holy Grail of fiction by writing an opening that is so compelling that I defy anybody to read it and then put the book aside; as follows:

The year is 2008. I am, as I have been for the past two

hundred and fifty-one years, ninety-eight years old

If pressed to criticize the book, I would have to say that I was a tad disappointed that the conspiracy concerning pharmaceutical companies was not developed further as the book drew to a conclusion, but if I were to be honest with myself, I would probably put this down to the fact that I just didn’t want the book to end. It was a great read and I thoroughly enjoyed it.

Finding Emmaus is Ms. Glasner’s first novel, yet it contains all of the elements that could be expected of a much more experienced author. I am sure that I will not be the sole reader who is deeply thankful that it represents only the first book in the Lodestarre series.

Finding Emmaus

By Pamela S.K. Glasner

ISBN: 978-1-934572-33-7


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